AGENTUR FÜR DIGITALE
ANZIEHUNGSKRAFT

Viessmann

Full-responsive Markenrelaunch vom Weltmarktführer für Heiz- und Kältetechnik VIESSMANN.

Full-responsive Markenrelaunch vom Weltmarktführer für Heiz- und Kältetechnik VIESSMANN.

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

WWW.VIESSMANN.COM

Full-responsive Markenrelaunch vom Weltmarktführer für Heiz- und Kältetechnik VIESSMANN.

Full-responsive Markenrelaunch vom Weltmarktführer für Heiz- und Kältetechnik VIESSMANN.

Ruff Cycles

Entwicklung eines full-responsive Konfigurators für Custom-Bikes auf Basis vom Shopsystem Magento.

Entwicklung eines full-responsive Konfigurators für Custom-Bikes auf Basis vom Shopsystem Magento.

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

WWW.RUFF-CYCLES.COM

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

Entwicklung eines full-responsive Konfigurators für Custom-Bikes auf Basis vom Shopsystem Magento.

smart
magazine

Urban Content Marketing: Internationaler Relaunch des Online-Magazins für den Automobilhersteller smart.

Urban Content Marketing: Internationaler Relaunch des Online-Magazins für den Automobilhersteller smart.

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

WWW.SMART-MAGAZINE.COM

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

Urban Content Marketing: Internationaler Relaunch des Online-Magazins für den Automobilhersteller smart.

3 Banken
Gruppe

Neuentwicklung des Onlinebankings für die drei österreichischen Finanzhäuser Oberbank, BTV und BKS.

Neuentwicklung des Onlinebankings für die drei österreichischen Finanzhäuser Oberbank, BTV und BKS.

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

OBERBANK, BTV, BKS

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

Neuentwicklung des Onlinebankings für die drei österreichischen Finanzhäuser Oberbank, BTV und BKS.

SMA

Relaunch der Online-Präsenz von SMA Solar Technology, dem Spezialisten für Photovoltaik-Systemtechnik.

Relaunch der Online Präsenz von SMA Solar Technology, dem Spezialisten für Photovoltaik-Systemtechnik.

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

WWW.SMA.DE

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

Relaunch der Online-Präsenz von SMA Solar Technology, dem Spezialisten für Photovoltaik-Systemtechnik.

Biskitty

Markenentwicklung und Aufbau eines einzigartigen Online-Tortenkonfigurators mit unzähligen Kreationsmöglichkeiten.

Markenentwicklung und Aufbau eines einzigartigen Online-Tortenkonfigurators mit unzähligen Kreationsmöglichkeiten.

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

WWW.BISKITTY.COM

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

Markenentwicklung und Aufbau eines einzigartigen Online-Tortenkonfigurators mit unzähligen Kreationsmöglichkeiten.

flowkey

Kreativ-strategische Begleitung des Berliner Startups, dass das Erlernen des Klavierspielens neu erfunden hat.

Kreativ-strategische Begleitung des Berliner Startups, dass das Erlernen des Klavierspielens neu erfunden hat.

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

WWW.FLOWKEY.COM

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

Kreativ-strategische Begleitung des Berliner Startups, dass das Erlernen des Klavierspielens neu erfunden hat.

nate

Aufbau einer Spenden-App für Android Geräte. Werbung auf dem Sperrbildschirm sehen und in Herzensprojekte investieren.

Aufbau einer Spenden-App für Android Geräte. Werbung auf dem Sperrbildschirm sehen und in Herzensprojekte investieren.

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

WWW.NATEHELPS.COM

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

Aufbau einer Spenden-App für Android Geräte. Werbung auf dem Sperrbildschirm sehen und in Herzensprojekte investieren.

ESL Fantasy

Kreation der ersten Fantasy Liga professioneller Computerspieler für die weltweit agierende Electronic Sports League (ESL).

Kreation der ersten Fantasy Liga professioneller Computerspieler für die weltweit agierende Electronic Sports League (ESL).

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

WWW.FANTASY.ESLGAMING.COM

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

Kreation der ersten Fantasy Liga professioneller Computerspieler für die weltweit agierende Electronic Sports League (ESL).

Der Audio
Verlag

Full-responsive Relaunch der Webpräsenz des Audio Verlags DAV.

Full-responsive Relaunch der Webpräsenz des Audio Verlags DAV.

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

WWW.DER-AUDIO-VERLAG.DE

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

Full-responsive Relaunch der Webpräsenz des Audio Verlags DAV.

Discavo

Schaffung einer digitalen Marke im Metasuche-Dschungel.

Schaffung einer digitalen Marke im Metasuche-Dschungel.

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

WWW.DISCAVO.DE

We love typography, but Randy from Karim's office loves it even more! We spent a lot of time selecting the right typeface. We wanted something blocky, strong and bold. Something that would complement Karim's designs and would make a project title feel like a statement.

For our primary typeface we chose the ultra strong Titling Gothic Pro. For the secondary typeface we went with Neue Haas Grotesk, which is classy and simple and would complement (and not compete with) the blockiness of Titling Gothic. To make sure we stayed consistent and didn't end up using too many weights.

Schaffung einer digitalen Marke im Metasuche-Dschungel.

Sie wollen alle
Projekte sehen?

Hintergundbild das Dreiecke darstellt.

AGENTUR

Wir erschaffen digitale Anziehungskraft

Von der Idee bis zum digitalen Erlebnis

Das Internet ist unser Universum. Wir erschaffen seine Materie indem wir es mit den Produkten unserer Kunden bereichern. Wir konzipieren, gestalten und entwickeln digitale Erlebniswelten, die in Websites, Mobile Apps und individuellen Online-Softwarelösungen münden. Dabei setzen wir auf maximale Performance und hohe Usability. Unsere Entwicklungen bieten für Ihre Nutzer Mehrwerte und für unsere Auftraggeber eine möglichst effiziente Conversion.

Wir können mehr als nur schöne Bilder malen

Verstehen wer der Kunde unserer Kunden ist

Neue Konzepte für digitale Produkte, Services und Kommunikation brauchen einen strategischen Rahmen in dem sie user-zentriert konzipiert werden und wirken können. Denn nur eine klare Strategie schafft die Basis für starke digitale Anziehungskraft. Für die Entwicklung und Implementierung der Digitalstrategien in den Bereichen Markenidentität, Produktinnovation, Kundenbeziehungs-Marketing und kreativen Kommunikationsmaßnahmen setzen wir neben klassischen Analysewerkzeugen besonders auf Design Thinking und User Experience Research Methoden.

Wichtigen Content sichtbar machen

Ihre Inhalte bestmöglich platziert und schnell auffindbar

Die Informationsaufbereitung digitaler Services muss mit dem sich verändernden Konsumverhalten seiner Zielgruppe und dem laufenden technologischen Fortschritt mithalten. Um diesem Anspruch gerecht zu werden setzen wir auf eine detaillierte Feinkonzeption. Wir nutzen Instrumente wie Personas, Sitemaps, Funktionslisten und erstellen funktionsfähige Wireframe-Prototypen. Diese bilden eine realitätsnahe Umgebung, um unsere Überlegungen zu testen und mit den Disziplinen Strategie, Design und Entwicklung abzustimmen.

UX, UI & Interaction Design

Wir erschaffen digitale Architekturen

Unsere Gestaltung basiert auf unseren vorherigen strategischen und konzeptionellen Überlegungen. Auf Basis dessen visualisieren wir erste Gestaltungsansätze, spiegeln diese im gesamten Projektteam und gleichen die Ergebnisse frühzeitig mit unserem Kunden ab. Die Detailausarbeitung beinhaltet zumeist die Gestaltung aller Seitentypen, Content-Module bis hin zur Ausarbeitung eines ausführlichen Webstyleguides.

Cutting Edge Development

We develop the future (ES6, Node, VR, React)

Der technologische Unterbau eines Webprojekts ist nicht selten entscheidend für die effektive Einsatzdauer eines Systems. Performance, Sicherheit und Erweiterbarkeit gelten als Grundpfeiler und sollten bei jeder technischen Entscheidung berücksichtigt werden. Fortschritt und Veränderlichkeit heutiger Technologien spielen bei der Auswahl eine wichtige Rolle. Seit 2007 erstellen wir HTML-Frontends pixelgenau mit dem Know-How einer Agentur und der Vorgehensweise eines Systemhauses. Wir implementieren Content-Management-Systeme in allen Größen und haben dadurch eine ausgewiesene Expertise in der Evaluierung und im Einsatz des eingesetzten CMS.

Projekt Controlling

Das Ziel stets vor Augen (unter Projekt Controlling)

Wir realisieren Projekte von der strategischen Konzeption bis zur technischen Entwicklung, um ein umfassendes digitales Markenerlebnis zu schaffen. Dabei nutzen wir die Möglichkeiten agiler Arbeitsweise, um alle Disziplinen ineinandergreifen zu lassen. Somit garantieren wir, dass die von uns erstellten Produkte strategisch sinnvoll, intuitiv bedienbar, ansprechend visualisiert und technisch einwandfrei an unsere Auftraggeber ausgeliefert werden. Wir legen besonderen Stellenwert auf ein partnerschaftliches Projektvorgehen, da dies als wichtige Komponente für die Einhaltung von Zeit, Qualität und Budget zu verstehen ist. Um dies zu gewährleisten bedienen wir uns sowohl standardisierter als auch neuester Technologien, um volle Transparenz für alle Projektbeteiligten schaffen.

Wir suchen:
Art-Director (online)
& Backend-Entwickler